The realisation of what this is came to me while I was into my current read - more on that soon - as I was impressed by the writer's attempt at UNPREDICTABILITY.
Do you ever listen to a never-heard-before pop song and know exactly what the next line is going to be? - you can hear it coming, the rhyme and all. It's just about disappointing. Because it's so predictable. Freewheelin is about catching the consumer by surprise.
Okay, you leave a trail of misspells but it's truly belting out of you totally unfettered, and you don't pause to find some "exactly right" word, but you use any word that feels like what you're feeling at that second, and sometimes it turns out to be exactly what you want, but even when its completely stupid in that context, it leads you to the right one when you edit, because it embodies the feeling.
Dylan Thomas was the master at Freewheelin. He threw words down onto the page, revisited it later, or maybe not. Sometimes when I read his stuff I think maybe I'm looking at his Freewheelin draft...
Now as I was young and easy under the apple boughs
About the lilting house and happy as the grass was green,
The night above the dingle starry,
Time let me hail and climb
Golden in the heydays of his eyes...
....and I think, geez if only I could do that. So I always try. Try to create some unpredictability. Is that an oxymoron? Try to let loose some unpredictability? I'm struggling here! Maybe it'll be clearer, or I'll express it better, after I think on it some more. Here inside this old head I know what I mean, but I probably need to talk it out. Wish I could.
More ramblings soon....
Cheers....
Trev
>>>>>>>>>>>>>>>>>
